Christopher Reeve的个人介绍
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发布时间：2022-04-24 03:19
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时间：2023-10-24 11:27
September 25, 1952 - October 10, 2004
Christopher Reeve was born September 25, 1952, in New York City. When he was four, his parents (journalist Barbara Johnson and writer/professor Franklin Reeve) divorced. His mother moved with sons Christopher and Benjamin to Princeton, New Jersey, and married an investment banker a few years later. After the divorce, the boys also spent substantial visitation time with their father, who writing under the name F. D. Reeve, is a noted novelist, poet, and scholar of Russian literature. While with him, Chris and Ben were exposed to a stimulating intellectual environment that included Sunday dinners with F. D. Reeve's friends: Robert Frost, Robert Penn Warren, and Daniel Patrick Moynihan. Meanwhile, Reeve's stepfather, Tristam Johnson, generously paid tuition for the boys to attend an exclusive private school, Princeton Day School, for the academic challenge.
Reeve traces his love of acting back to the early years of his childhood when he and his younger brother would climb inside cardboard grocery cartons and pretend they were pirate ships. "To us they became pirate ships simply because we said they were." Reeve continues with "The ability to retain at least some of this childhood innocence is essential to fine acting." By age eight, he had appeared in school plays, become interested in music, and was taking piano lessons. At age nine, he was picked to be in a Gilbert & Sullivan operetta Yeoman of the Guard for Princeton's professional theater, the McCarter Theatre. "While I was growing up," Reeve recalls, "I never once asked myself, 'Who am I?' or 'What am I doing?' Right from the beginning, the theater was like home to me. It seemed to be what I did best. I never doubted that I belonged in it." Those he worked with were convinced as well. Milton Lyon, the Artistic Director of the McCarter Theatre who did Finian's Rainbow and South Pacific with Reeve, told him when he was about 14 years old: "Chris, you better decide what you want, because you're going to get it."
At Princeton Day School, Reeve participated in various school activities including being President of the Drama Club and the Student Director of The Glee Club. Reeve later said about those years, "I loved the theater so much. But I began to feel guility. I thought I wasn't giving enough time to school. So I joined as many school clubs and teams as I could. I played on the ice hockey team. I was in the school orchestra. I even sang with a choral group!" Reeve recently explained why he did not go into ice hockey, a sport he has great love for that he played from the peewee level through high school where he was Princeton Day's number one goalie for all four years, as a full-time career by remembering a time when his varsity team was the NCAA champion and Ken Dryden was the goalie. Reeve says about his decision, "On the first day of practice for the freshman team, I noticed that there were only two Americans and the rest were Canadians. I was in the goal, and the whole team lined up on the blue line, each with a puck, and they were supposed to take turns going from left to right taking a slapshot. They started to get out of sequence, and sometimes two or three were coming at me, faster than I'd ever seen a puck come at me in my entire lifetime. I got absolutely shelled, and I thought, 'You know, I'm probably going to end up with no teeth,' and so I retreated to the safety of the theatre department. That was the end of my hockey career. In retrospect, I made the right choice. And I still have all my teeth." He continued getting parts at school and at the McCarter. At age 15, Reeve got a summer apprenticeship at the Williamstown Theater Festival in Massachusetts. By age 16, he had an agent.
After graating high school, Reeve toured the country as Celeste Holm's leading man in The Irregular Verb to Love, then went on to pursue a college ecation, although he continued to work simultaneously as a professional actor, "thanks to an understanding agent who'd set up auditions and meetings around my class schele." As part of his studies at Cornell University, where he majored in Music Theory and English, he spent time studying theater in Britain and France. Of his work in England, where he obtained employment as a "dogsbody" at London's prestigious Old Vic theater, Reeve said: "I was a glorified errand boy, but it was a very exciting time there. I helped by teaching the British actors to speak with an American accent. Then I went to Paris to work with the Comedie Francaise." By the time of his graation from college, Reeve had already performed in such widely respected theaters as the Boothbay (Maine) Playhouse, the Williamstown Theatre, the San Diego Shakespeare Festival, and the Loeb Drama Center. His roles included Victor in Private Lives, Aeneas in Troilus and Cressida, Beliaev in A Month In The Country, and Macheath in Threepenny Opera.
In lieu of his final year at Cornell, Reeve was one of two students accepted to advanced standing (Robin Williams was the other) at New York's famous Juilliard School of Performing Arts. Here he studied under the renowned John Houseman. When it became financially difficult for his stepfather to continue to pay for Reeve's ecation, he took the role of Ben Harper in the long-running television dramatic serial Love of Life. While Reeve continued his acting lessons and performed in the soap opera, he found time to audition for and win a coveted role in A Matter of Gravity, a new play slated for Broadway starring Katharine Hepburn in 1976. By this time, the demands of his career had become so great that Reeve was forced to give up his final year at Juilliard, but Reeve said this of working with Hepburn: "In Gravity, I had the privilege of spending nine months working with one of the masters of the craft."
In 1976, Reeve went to Los Angeles and got a small part in Gray Lady Down, a submarine adventure film. Back in New York City, he was in the off-broadway proction My Life. During that proction, Reeve auditioned and successfully screen tested for the 1978 movie Superman. Reeve portrayed Superman as "somebody that, you know, you can invite home for dinner...someone you could introce your parents to." He made Superman believable by playing him as a hero with brains and a heart. Reeve said, "What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely. From an acting point of view, that's how I approached the part." For playing Clark Kent, Reeve reasoned that "there must be some difference stylistically between Clark and Superman. Otherwise you just have a pair of glasses standing in for a character, and I don't think that's enough for a modern audience." When people regard him as Superman, Reeve always downplays the disdain he feels for that comment: "As far as I'm concerned there is Superman and then there's Christopher Reeve, and I'm not interested in having them merge. What I'm interested in is acting...I've been working since I was fourteen; I studied at Juilliard. I wasn't Superman before and I don't plan to be Superman after." The 18 months of shooting for that movie took place mostly in England, where Reeve met and began a relationship with modeling executive Gae Exton. This union proced two children, Matthew and Alexandra.
After the success of 1978's Superman, Reeve did the movie Somewhere in Time. While promoting the movie at the time of its release, Reeve said, "Somewhere In Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character...His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love." In 1980, he spent the summer doing theater in Williamstown. He worked on Superman II and the broadway proction of Fifth of July. In 1987 Christopher Reeve and Gae Exton parted unmarried, but keeping joint custody of the two children. During the summer in Williamstown, Reeve met Dana Morosini where she was performing in a cabaret. In four months they were living together, and in 1992 they were married and had a son.
Reeve went on to appear in a total of 17 feature films, a dozen TV-movies, and about 150 plays. In addition, he has hosted or narrated numerous documentaries and TV specials, many of which involve interests of his such as aviation or stunt work. His striking good looks and imposing physique were reminisent of Hollywood's classic leading men like John Wayne who, after meeting Reeve at the 1979 Academy Awards, turned to Cary Grant and said: "This is our new man. He's taking over." But rather than limit himself to the heroic roles for which he seemed so well suited, Reeve frequently sought the challenge of parts that cast him against type--playing characters that were gay, sociopathic or villanous. He turned down big paychecks to appear in small films with directors like Sydney Lumet or James Ivory, whom he greatly respected and worked with in The Bostonians and The Remains of the Day. But he has always preferred the stage, considering it an actor's greatest test. In addition to his early stage work, Reeve appeared in The Marriage of Figaro in New York, Summer and Smoke with Christine Lahti in Los Angeles, and he toured with Love Letters in several major cities. He also starred in a well-received proction of The Aspern Papers in London's West End with Vanessa Redgrave and Dame Wendy Hiller. But no matter what he was doing at the time, Reeve invariably made every effort to spend summers at the Williamstown Theater Festival.
In addition to being an actor, Reeve is also an active celebrity political activist. Reeve, who is a liberal Democrat, explained his politically active career: "I became politically active in high school, protesting the Vietnam War. And when I went to Cornell, I became involved in environmental issues. And then, as an alt, I became involved in First Amendment issues and funding for the arts. And now that I am disabled, of course my main focus is on the quality of life for all disabled people and doing everything I can to help scientists make progress toward cures." Reeve further explained his personal political preference for the Democrat party saying, "Actually, the Republicans have done more for the disabled and for funding medical research over the past eight years than the Democrats. But on many other issues, such as the environment, ecation, gun control, choice, I support the Democrats, and I am more sympathetic to their position... I would like to see a Democratic Congress." As a celebrity political activist of liberal causes and fundraiser for medical research, Reeve has name recognition equal to that of Jane Fonda and Robert Redford. While viewing himself "President of the Disabled", unofficially replacing Bree Walker, Reeve is a lobbyist at the federal, state and international levels who physically lets his quadriplegia play on the feelings of elected politicans while testifying before them to get bills passed he supports to fund spinal cord injury research as well as to get bills defeated he personally opposes by also using the media. Reeve says about his aggressive approach to activism: "It is one thing to present legislators with statistics, but quite another to make them face real people who testify at congressional hearings or speak out in the media."
Prior to his injury, the liberal causes and charities Reeve had been involved with on the arts, environment, children, and human rights had equal priority for him with his career in the performing arts. A few of them are: Amnesty International, Save the Children, The National Resources Defense Council, The Lindbergh Foundation, The Environmental Air Force, and People for the American Way. He is a founding member and past president of the Creative Coalition, an advocacy group of artists, and has been one of the National Endowment For The Arts most passionate supporters. In 1987, he faced tear gas and real personal danger when Chilean writer Ariel Dorfman asked him to travel to Chile and lead a demonstration in support of 77 artists targeted with death warrants by the Pinochet government. For his successful efforts to free the artists, Reeve received a special Obie Award in 1988 and an annual award from the Walter Briehl Human Rights Foundation. The sobering experience also reinforced his commitment to advocacy work, which by the late 1980's was competing with his career for his time. Environmental issues have been of particular interest to Reeve. He addressed the United Nations to encourage the banning of drift net tuna fishing and he played a crucial role in securing a landmark agreement to protect the Hudson River and New York City's reservoir system.
Christopher Reeve has always approached recreation with the same dedication and intensity that he brought to his professional and advocacy work. In these activities as well as the rest of his life, Reeve sets obstacles for himself and then works to overcome them. He believes that progress in one's life comes from setting your own challenges and then doing the best you possibly can to succeed. An accomplished pianist, he composed and practiced classical music several hours each day and said in an interview that had he not been an actor, he would have liked to have been a professional musician. But Reeve was also a superb athlete who did his own stunts in films and an avid outdoorsman. He earned his pilot's license in his early twenties and twice flew solo across the Atlantic in a small plane. He also flew gliders and was an expert sailor, scuba diver, and skier. By the 1990's, horses had become his passion. He loved the sport called "eventing" which combined the precision of dressage with the excitement of cross-country and show jumping.
In May of 1995, it was ring the cross-country portion of such an event in Culpeper, Virginia, that Reeve's Throughbred, Eastern Express, balked at a rail jump, pitching his rider forward. Reeve's hands were tangled in the horse's bridle and he landed head first, fracturing the uppermost vertebrae in his spine. Reeve was instantly paralyzed from the neck down and unable to breathe. Prompt medical attention saved his life and delicate surgery stabilized the shattered C1-C2 vertebrae and literally reattached Reeve's head to his spine.
After 6 months at Kessler Rehabilitation Institute in New Jersey, Reeve returned to his home in Bedford, New York, where Dana had begun major renovations to accomodate his needs and those of his electric wheelchair which he operates by sipping or puffing on a straw. Ironically, this most self-reliant and active of men was now facing life almost completely immobilized and dependent on others for his most basic needs. In addition, his condition puts him at constant risk for related illnesses--pneumonia, infections, blood clots, wounds that do not heal, and a dangerous condition involving blood pressure known as autonomic disreflexia--all of which Reeve would experience in the coming years.
Even while at Kessler, Christopher Reeve began to use the international interest in his situation to increase public awareness about spinal cord injury and to raise money for research into a cure. A 20/20 interview with Barbara Walters drew huge ratings and many other television appearances would follow. Never a man to turn from a challenge, Reeve accepted invitations to appear at the Academy Awards in 1996, to host the Paralympics in Atlanta, and to speak at the Democratic Convention in August of that year. At such high-profile appearances Reeve faces risk of embarrassment if he cannot speak because his tracheostomy tube is slightly out of position or if his body suddenly spasms and jerks about uncontrollably (as it did just before the curtain went up at the Oscars).
Despite enormous expenses related to his paralysis, Reeve is determined to be financially self-sufficient. A widespread rumor that his close friend, Robin Williams, had promised to pay all his medical bills was publicly denied by both Williams and Reeve. Less than a year after his injury, Reeve began to accept invitations for speaking engagements. Traveling with a team of aides and nurses he has crisscrossed the country, speaking at the Peter Lowe Success Seminars, at universities, benefits, and at many functions relating to disability issues. About how he does his speeches, Reeve's publicist Maggie Friedman, at the Christopher Reeve Paralysis Foundation, said: "He speaks off the cuff, using no notes or teleprompter and most of the time he does not even dictate his thoughts to an assistant." Reeve narrated an Emmy Award winning documentary for HBO called Without Pity: A Film About Abilities which sensitively told the stories of a half-dozen disabled people and also hosted a Canadian documentary about spinal cord injury called The Toughest Break. He returned to acting with a small but pivotol role in the CBS TV-movie A Step Toward Tomorrow in 1996, and that same year Reeve made his directorial debut with the critically acclaimed HBO film In the Gloaming starring his good friend Glenn Close. Gloaming went on to receive 5 Emmy nominations and was the most honored film at the Cable ACE Awards in 1997, winning awards in 4 of the 6 categories it was nominated including best "Dramatic or Theatrical Special". Dana Reeve describes In the Gloaming as "a godsend for Chris." She adds, "there's such a difference in his outlook, his health, his overall sense of well-being when he's working at what he loves, which is creative work - directing a movie, or acting in one. It completely revitalizes him and feeds him." At these times "his health is at an all-time high, his blood gases are good, he seems to cure skin wounds faster, he sleeps better, he looks better. It's noticeable - it's like being in love."
Long before Reeve became handicapped and was thought by some to be an inspiration and really Superman, Reeve himself in 1978 told Gene Siskel that Superman leads by inspiration: "The key word for me on him is 'inspiration.' He is a leader by inspiration. He sets an example. It's quite important that people realize that I don't see him as a glad-handing show-off, a one-man vigilante force who rights every wrong. Basically, he's a pacifist, a man who comes along and says, 'What can I do to help?' He stands on the sidelines until there is real trouble. He does not want to get involved unless it's absolutely necessary because he thinks people should learn to make their own decisions." Bishop Jonathan D. Keaton eloquently explained in his Go Make A Life sermon Reeve being Superman in real life. Bishop Keaton said: "To see Reeve in a severely incapacitated state brought back memories of his famous acting roles as Superman and Clark Kent. Memory told me that Reeve could leap tall buildings with a single bound as Superman. Also, I saw Christopher Reeve as a gem of an investigative reporter...Admittedly, Superman was make-believe...I concluded that Christopher Reeve is Superman, right here, right now...Reeve shows us the power, the possibilities and the results of a fierce and persistent commitment to growth and development. With God's help, Reeve is Superman because: 1. He survived the horse riding accident and challenged himself physically ring countless months of painful physical therapy. 2. Because he remained committed to his role as a loving husband and doting father 3. Because he kept hope alive in the face of injury and paralysis that can destroy all hope-in the face of having to depend on his wife and many others to feed, wash, change, move and carry him t
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热心网友
时间：2023-10-24 11:27
September 25, 1952 - October 10, 2004
Christopher Reeve was born September 25, 1952, in New York City. When he was four, his parents (journalist Barbara Johnson and writer/professor Franklin Reeve) divorced. His mother moved with sons Christopher and Benjamin to Princeton, New Jersey, and married an investment banker a few years later. After the divorce, the boys also spent substantial visitation time with their father, who writing under the name F. D. Reeve, is a noted novelist, poet, and scholar of Russian literature. While with him, Chris and Ben were exposed to a stimulating intellectual environment that included Sunday dinners with F. D. Reeve's friends: Robert Frost, Robert Penn Warren, and Daniel Patrick Moynihan. Meanwhile, Reeve's stepfather, Tristam Johnson, generously paid tuition for the boys to attend an exclusive private school, Princeton Day School, for the academic challenge.
Reeve traces his love of acting back to the early years of his childhood when he and his younger brother would climb inside cardboard grocery cartons and pretend they were pirate ships. "To us they became pirate ships simply because we said they were." Reeve continues with "The ability to retain at least some of this childhood innocence is essential to fine acting." By age eight, he had appeared in school plays, become interested in music, and was taking piano lessons. At age nine, he was picked to be in a Gilbert & Sullivan operetta Yeoman of the Guard for Princeton's professional theater, the McCarter Theatre. "While I was growing up," Reeve recalls, "I never once asked myself, 'Who am I?' or 'What am I doing?' Right from the beginning, the theater was like home to me. It seemed to be what I did best. I never doubted that I belonged in it." Those he worked with were convinced as well. Milton Lyon, the Artistic Director of the McCarter Theatre who did Finian's Rainbow and South Pacific with Reeve, told him when he was about 14 years old: "Chris, you better decide what you want, because you're going to get it."
At Princeton Day School, Reeve participated in various school activities including being President of the Drama Club and the Student Director of The Glee Club. Reeve later said about those years, "I loved the theater so much. But I began to feel guility. I thought I wasn't giving enough time to school. So I joined as many school clubs and teams as I could. I played on the ice hockey team. I was in the school orchestra. I even sang with a choral group!" Reeve recently explained why he did not go into ice hockey, a sport he has great love for that he played from the peewee level through high school where he was Princeton Day's number one goalie for all four years, as a full-time career by remembering a time when his varsity team was the NCAA champion and Ken Dryden was the goalie. Reeve says about his decision, "On the first day of practice for the freshman team, I noticed that there were only two Americans and the rest were Canadians. I was in the goal, and the whole team lined up on the blue line, each with a puck, and they were supposed to take turns going from left to right taking a slapshot. They started to get out of sequence, and sometimes two or three were coming at me, faster than I'd ever seen a puck come at me in my entire lifetime. I got absolutely shelled, and I thought, 'You know, I'm probably going to end up with no teeth,' and so I retreated to the safety of the theatre department. That was the end of my hockey career. In retrospect, I made the right choice. And I still have all my teeth." He continued getting parts at school and at the McCarter. At age 15, Reeve got a summer apprenticeship at the Williamstown Theater Festival in Massachusetts. By age 16, he had an agent.
After graating high school, Reeve toured the country as Celeste Holm's leading man in The Irregular Verb to Love, then went on to pursue a college ecation, although he continued to work simultaneously as a professional actor, "thanks to an understanding agent who'd set up auditions and meetings around my class schele." As part of his studies at Cornell University, where he majored in Music Theory and English, he spent time studying theater in Britain and France. Of his work in England, where he obtained employment as a "dogsbody" at London's prestigious Old Vic theater, Reeve said: "I was a glorified errand boy, but it was a very exciting time there. I helped by teaching the British actors to speak with an American accent. Then I went to Paris to work with the Comedie Francaise." By the time of his graation from college, Reeve had already performed in such widely respected theaters as the Boothbay (Maine) Playhouse, the Williamstown Theatre, the San Diego Shakespeare Festival, and the Loeb Drama Center. His roles included Victor in Private Lives, Aeneas in Troilus and Cressida, Beliaev in A Month In The Country, and Macheath in Threepenny Opera.
In lieu of his final year at Cornell, Reeve was one of two students accepted to advanced standing (Robin Williams was the other) at New York's famous Juilliard School of Performing Arts. Here he studied under the renowned John Houseman. When it became financially difficult for his stepfather to continue to pay for Reeve's ecation, he took the role of Ben Harper in the long-running television dramatic serial Love of Life. While Reeve continued his acting lessons and performed in the soap opera, he found time to audition for and win a coveted role in A Matter of Gravity, a new play slated for Broadway starring Katharine Hepburn in 1976. By this time, the demands of his career had become so great that Reeve was forced to give up his final year at Juilliard, but Reeve said this of working with Hepburn: "In Gravity, I had the privilege of spending nine months working with one of the masters of the craft."
In 1976, Reeve went to Los Angeles and got a small part in Gray Lady Down, a submarine adventure film. Back in New York City, he was in the off-broadway proction My Life. During that proction, Reeve auditioned and successfully screen tested for the 1978 movie Superman. Reeve portrayed Superman as "somebody that, you know, you can invite home for dinner...someone you could introce your parents to." He made Superman believable by playing him as a hero with brains and a heart. Reeve said, "What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely. From an acting point of view, that's how I approached the part." For playing Clark Kent, Reeve reasoned that "there must be some difference stylistically between Clark and Superman. Otherwise you just have a pair of glasses standing in for a character, and I don't think that's enough for a modern audience." When people regard him as Superman, Reeve always downplays the disdain he feels for that comment: "As far as I'm concerned there is Superman and then there's Christopher Reeve, and I'm not interested in having them merge. What I'm interested in is acting...I've been working since I was fourteen; I studied at Juilliard. I wasn't Superman before and I don't plan to be Superman after." The 18 months of shooting for that movie took place mostly in England, where Reeve met and began a relationship with modeling executive Gae Exton. This union proced two children, Matthew and Alexandra.
After the success of 1978's Superman, Reeve did the movie Somewhere in Time. While promoting the movie at the time of its release, Reeve said, "Somewhere In Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character...His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love." In 1980, he spent the summer doing theater in Williamstown. He worked on Superman II and the broadway proction of Fifth of July. In 1987 Christopher Reeve and Gae Exton parted unmarried, but keeping joint custody of the two children. During the summer in Williamstown, Reeve met Dana Morosini where she was performing in a cabaret. In four months they were living together, and in 1992 they were married and had a son.
Reeve went on to appear in a total of 17 feature films, a dozen TV-movies, and about 150 plays. In addition, he has hosted or narrated numerous documentaries and TV specials, many of which involve interests of his such as aviation or stunt work. His striking good looks and imposing physique were reminisent of Hollywood's classic leading men like John Wayne who, after meeting Reeve at the 1979 Academy Awards, turned to Cary Grant and said: "This is our new man. He's taking over." But rather than limit himself to the heroic roles for which he seemed so well suited, Reeve frequently sought the challenge of parts that cast him against type--playing characters that were gay, sociopathic or villanous. He turned down big paychecks to appear in small films with directors like Sydney Lumet or James Ivory, whom he greatly respected and worked with in The Bostonians and The Remains of the Day. But he has always preferred the stage, considering it an actor's greatest test. In addition to his early stage work, Reeve appeared in The Marriage of Figaro in New York, Summer and Smoke with Christine Lahti in Los Angeles, and he toured with Love Letters in several major cities. He also starred in a well-received proction of The Aspern Papers in London's West End with Vanessa Redgrave and Dame Wendy Hiller. But no matter what he was doing at the time, Reeve invariably made every effort to spend summers at the Williamstown Theater Festival.
In addition to being an actor, Reeve is also an active celebrity political activist. Reeve, who is a liberal Democrat, explained his politically active career: "I became politically active in high school, protesting the Vietnam War. And when I went to Cornell, I became involved in environmental issues. And then, as an alt, I became involved in First Amendment issues and funding for the arts. And now that I am disabled, of course my main focus is on the quality of life for all disabled people and doing everything I can to help scientists make progress toward cures." Reeve further explained his personal political preference for the Democrat party saying, "Actually, the Republicans have done more for the disabled and for funding medical research over the past eight years than the Democrats. But on many other issues, such as the environment, ecation, gun control, choice, I support the Democrats, and I am more sympathetic to their position... I would like to see a Democratic Congress." As a celebrity political activist of liberal causes and fundraiser for medical research, Reeve has name recognition equal to that of Jane Fonda and Robert Redford. While viewing himself "President of the Disabled", unofficially replacing Bree Walker, Reeve is a lobbyist at the federal, state and international levels who physically lets his quadriplegia play on the feelings of elected politicans while testifying before them to get bills passed he supports to fund spinal cord injury research as well as to get bills defeated he personally opposes by also using the media. Reeve says about his aggressive approach to activism: "It is one thing to present legislators with statistics, but quite another to make them face real people who testify at congressional hearings or speak out in the media."
Prior to his injury, the liberal causes and charities Reeve had been involved with on the arts, environment, children, and human rights had equal priority for him with his career in the performing arts. A few of them are: Amnesty International, Save the Children, The National Resources Defense Council, The Lindbergh Foundation, The Environmental Air Force, and People for the American Way. He is a founding member and past president of the Creative Coalition, an advocacy group of artists, and has been one of the National Endowment For The Arts most passionate supporters. In 1987, he faced tear gas and real personal danger when Chilean writer Ariel Dorfman asked him to travel to Chile and lead a demonstration in support of 77 artists targeted with death warrants by the Pinochet government. For his successful efforts to free the artists, Reeve received a special Obie Award in 1988 and an annual award from the Walter Briehl Human Rights Foundation. The sobering experience also reinforced his commitment to advocacy work, which by the late 1980's was competing with his career for his time. Environmental issues have been of particular interest to Reeve. He addressed the United Nations to encourage the banning of drift net tuna fishing and he played a crucial role in securing a landmark agreement to protect the Hudson River and New York City's reservoir system.
Christopher Reeve has always approached recreation with the same dedication and intensity that he brought to his professional and advocacy work. In these activities as well as the rest of his life, Reeve sets obstacles for himself and then works to overcome them. He believes that progress in one's life comes from setting your own challenges and then doing the best you possibly can to succeed. An accomplished pianist, he composed and practiced classical music several hours each day and said in an interview that had he not been an actor, he would have liked to have been a professional musician. But Reeve was also a superb athlete who did his own stunts in films and an avid outdoorsman. He earned his pilot's license in his early twenties and twice flew solo across the Atlantic in a small plane. He also flew gliders and was an expert sailor, scuba diver, and skier. By the 1990's, horses had become his passion. He loved the sport called "eventing" which combined the precision of dressage with the excitement of cross-country and show jumping.
In May of 1995, it was ring the cross-country portion of such an event in Culpeper, Virginia, that Reeve's Throughbred, Eastern Express, balked at a rail jump, pitching his rider forward. Reeve's hands were tangled in the horse's bridle and he landed head first, fracturing the uppermost vertebrae in his spine. Reeve was instantly paralyzed from the neck down and unable to breathe. Prompt medical attention saved his life and delicate surgery stabilized the shattered C1-C2 vertebrae and literally reattached Reeve's head to his spine.
After 6 months at Kessler Rehabilitation Institute in New Jersey, Reeve returned to his home in Bedford, New York, where Dana had begun major renovations to accomodate his needs and those of his electric wheelchair which he operates by sipping or puffing on a straw. Ironically, this most self-reliant and active of men was now facing life almost completely immobilized and dependent on others for his most basic needs. In addition, his condition puts him at constant risk for related illnesses--pneumonia, infections, blood clots, wounds that do not heal, and a dangerous condition involving blood pressure known as autonomic disreflexia--all of which Reeve would experience in the coming years.
Even while at Kessler, Christopher Reeve began to use the international interest in his situation to increase public awareness about spinal cord injury and to raise money for research into a cure. A 20/20 interview with Barbara Walters drew huge ratings and many other television appearances would follow. Never a man to turn from a challenge, Reeve accepted invitations to appear at the Academy Awards in 1996, to host the Paralympics in Atlanta, and to speak at the Democratic Convention in August of that year. At such high-profile appearances Reeve faces risk of embarrassment if he cannot speak because his tracheostomy tube is slightly out of position or if his body suddenly spasms and jerks about uncontrollably (as it did just before the curtain went up at the Oscars).
Despite enormous expenses related to his paralysis, Reeve is determined to be financially self-sufficient. A widespread rumor that his close friend, Robin Williams, had promised to pay all his medical bills was publicly denied by both Williams and Reeve. Less than a year after his injury, Reeve began to accept invitations for speaking engagements. Traveling with a team of aides and nurses he has crisscrossed the country, speaking at the Peter Lowe Success Seminars, at universities, benefits, and at many functions relating to disability issues. About how he does his speeches, Reeve's publicist Maggie Friedman, at the Christopher Reeve Paralysis Foundation, said: "He speaks off the cuff, using no notes or teleprompter and most of the time he does not even dictate his thoughts to an assistant." Reeve narrated an Emmy Award winning documentary for HBO called Without Pity: A Film About Abilities which sensitively told the stories of a half-dozen disabled people and also hosted a Canadian documentary about spinal cord injury called The Toughest Break. He returned to acting with a small but pivotol role in the CBS TV-movie A Step Toward Tomorrow in 1996, and that same year Reeve made his directorial debut with the critically acclaimed HBO film In the Gloaming starring his good friend Glenn Close. Gloaming went on to receive 5 Emmy nominations and was the most honored film at the Cable ACE Awards in 1997, winning awards in 4 of the 6 categories it was nominated including best "Dramatic or Theatrical Special". Dana Reeve describes In the Gloaming as "a godsend for Chris." She adds, "there's such a difference in his outlook, his health, his overall sense of well-being when he's working at what he loves, which is creative work - directing a movie, or acting in one. It completely revitalizes him and feeds him." At these times "his health is at an all-time high, his blood gases are good, he seems to cure skin wounds faster, he sleeps better, he looks better. It's noticeable - it's like being in love."
Long before Reeve became handicapped and was thought by some to be an inspiration and really Superman, Reeve himself in 1978 told Gene Siskel that Superman leads by inspiration: "The key word for me on him is 'inspiration.' He is a leader by inspiration. He sets an example. It's quite important that people realize that I don't see him as a glad-handing show-off, a one-man vigilante force who rights every wrong. Basically, he's a pacifist, a man who comes along and says, 'What can I do to help?' He stands on the sidelines until there is real trouble. He does not want to get involved unless it's absolutely necessary because he thinks people should learn to make their own decisions." Bishop Jonathan D. Keaton eloquently explained in his Go Make A Life sermon Reeve being Superman in real life. Bishop Keaton said: "To see Reeve in a severely incapacitated state brought back memories of his famous acting roles as Superman and Clark Kent. Memory told me that Reeve could leap tall buildings with a single bound as Superman. Also, I saw Christopher Reeve as a gem of an investigative reporter...Admittedly, Superman was make-believe...I concluded that Christopher Reeve is Superman, right here, right now...Reeve shows us the power, the possibilities and the results of a fierce and persistent commitment to growth and development. With God's help, Reeve is Superman because: 1. He survived the horse riding accident and challenged himself physically ring countless months of painful physical therapy. 2. Because he remained committed to his role as a loving husband and doting father 3. Because he kept hope alive in the face of injury and paralysis that can destroy all hope-in the face of having to depend on his wife and many others to feed, wash, change, move and carry him t
参考资料：http://spysurfing.com/index.php?q=uggc%3A%2F%2Fjjj.puevferrirubzrcntr.pbz%2Fovbtencul.ugzy
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时间：2023-10-24 11:28
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时间：2023-10-24 11:28
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时间：2023-10-24 11:27
September 25, 1952 - October 10, 2004
Christopher Reeve was born September 25, 1952, in New York City. When he was four, his parents (journalist Barbara Johnson and writer/professor Franklin Reeve) divorced. His mother moved with sons Christopher and Benjamin to Princeton, New Jersey, and married an investment banker a few years later. After the divorce, the boys also spent substantial visitation time with their father, who writing under the name F. D. Reeve, is a noted novelist, poet, and scholar of Russian literature. While with him, Chris and Ben were exposed to a stimulating intellectual environment that included Sunday dinners with F. D. Reeve's friends: Robert Frost, Robert Penn Warren, and Daniel Patrick Moynihan. Meanwhile, Reeve's stepfather, Tristam Johnson, generously paid tuition for the boys to attend an exclusive private school, Princeton Day School, for the academic challenge.
Reeve traces his love of acting back to the early years of his childhood when he and his younger brother would climb inside cardboard grocery cartons and pretend they were pirate ships. "To us they became pirate ships simply because we said they were." Reeve continues with "The ability to retain at least some of this childhood innocence is essential to fine acting." By age eight, he had appeared in school plays, become interested in music, and was taking piano lessons. At age nine, he was picked to be in a Gilbert & Sullivan operetta Yeoman of the Guard for Princeton's professional theater, the McCarter Theatre. "While I was growing up," Reeve recalls, "I never once asked myself, 'Who am I?' or 'What am I doing?' Right from the beginning, the theater was like home to me. It seemed to be what I did best. I never doubted that I belonged in it." Those he worked with were convinced as well. Milton Lyon, the Artistic Director of the McCarter Theatre who did Finian's Rainbow and South Pacific with Reeve, told him when he was about 14 years old: "Chris, you better decide what you want, because you're going to get it."
At Princeton Day School, Reeve participated in various school activities including being President of the Drama Club and the Student Director of The Glee Club. Reeve later said about those years, "I loved the theater so much. But I began to feel guility. I thought I wasn't giving enough time to school. So I joined as many school clubs and teams as I could. I played on the ice hockey team. I was in the school orchestra. I even sang with a choral group!" Reeve recently explained why he did not go into ice hockey, a sport he has great love for that he played from the peewee level through high school where he was Princeton Day's number one goalie for all four years, as a full-time career by remembering a time when his varsity team was the NCAA champion and Ken Dryden was the goalie. Reeve says about his decision, "On the first day of practice for the freshman team, I noticed that there were only two Americans and the rest were Canadians. I was in the goal, and the whole team lined up on the blue line, each with a puck, and they were supposed to take turns going from left to right taking a slapshot. They started to get out of sequence, and sometimes two or three were coming at me, faster than I'd ever seen a puck come at me in my entire lifetime. I got absolutely shelled, and I thought, 'You know, I'm probably going to end up with no teeth,' and so I retreated to the safety of the theatre department. That was the end of my hockey career. In retrospect, I made the right choice. And I still have all my teeth." He continued getting parts at school and at the McCarter. At age 15, Reeve got a summer apprenticeship at the Williamstown Theater Festival in Massachusetts. By age 16, he had an agent.
After graating high school, Reeve toured the country as Celeste Holm's leading man in The Irregular Verb to Love, then went on to pursue a college ecation, although he continued to work simultaneously as a professional actor, "thanks to an understanding agent who'd set up auditions and meetings around my class schele." As part of his studies at Cornell University, where he majored in Music Theory and English, he spent time studying theater in Britain and France. Of his work in England, where he obtained employment as a "dogsbody" at London's prestigious Old Vic theater, Reeve said: "I was a glorified errand boy, but it was a very exciting time there. I helped by teaching the British actors to speak with an American accent. Then I went to Paris to work with the Comedie Francaise." By the time of his graation from college, Reeve had already performed in such widely respected theaters as the Boothbay (Maine) Playhouse, the Williamstown Theatre, the San Diego Shakespeare Festival, and the Loeb Drama Center. His roles included Victor in Private Lives, Aeneas in Troilus and Cressida, Beliaev in A Month In The Country, and Macheath in Threepenny Opera.
In lieu of his final year at Cornell, Reeve was one of two students accepted to advanced standing (Robin Williams was the other) at New York's famous Juilliard School of Performing Arts. Here he studied under the renowned John Houseman. When it became financially difficult for his stepfather to continue to pay for Reeve's ecation, he took the role of Ben Harper in the long-running television dramatic serial Love of Life. While Reeve continued his acting lessons and performed in the soap opera, he found time to audition for and win a coveted role in A Matter of Gravity, a new play slated for Broadway starring Katharine Hepburn in 1976. By this time, the demands of his career had become so great that Reeve was forced to give up his final year at Juilliard, but Reeve said this of working with Hepburn: "In Gravity, I had the privilege of spending nine months working with one of the masters of the craft."
In 1976, Reeve went to Los Angeles and got a small part in Gray Lady Down, a submarine adventure film. Back in New York City, he was in the off-broadway proction My Life. During that proction, Reeve auditioned and successfully screen tested for the 1978 movie Superman. Reeve portrayed Superman as "somebody that, you know, you can invite home for dinner...someone you could introce your parents to." He made Superman believable by playing him as a hero with brains and a heart. Reeve said, "What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely. From an acting point of view, that's how I approached the part." For playing Clark Kent, Reeve reasoned that "there must be some difference stylistically between Clark and Superman. Otherwise you just have a pair of glasses standing in for a character, and I don't think that's enough for a modern audience." When people regard him as Superman, Reeve always downplays the disdain he feels for that comment: "As far as I'm concerned there is Superman and then there's Christopher Reeve, and I'm not interested in having them merge. What I'm interested in is acting...I've been working since I was fourteen; I studied at Juilliard. I wasn't Superman before and I don't plan to be Superman after." The 18 months of shooting for that movie took place mostly in England, where Reeve met and began a relationship with modeling executive Gae Exton. This union proced two children, Matthew and Alexandra.
After the success of 1978's Superman, Reeve did the movie Somewhere in Time. While promoting the movie at the time of its release, Reeve said, "Somewhere In Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character...His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love." In 1980, he spent the summer doing theater in Williamstown. He worked on Superman II and the broadway proction of Fifth of July. In 1987 Christopher Reeve and Gae Exton parted unmarried, but keeping joint custody of the two children. During the summer in Williamstown, Reeve met Dana Morosini where she was performing in a cabaret. In four months they were living together, and in 1992 they were married and had a son.
Reeve went on to appear in a total of 17 feature films, a dozen TV-movies, and about 150 plays. In addition, he has hosted or narrated numerous documentaries and TV specials, many of which involve interests of his such as aviation or stunt work. His striking good looks and imposing physique were reminisent of Hollywood's classic leading men like John Wayne who, after meeting Reeve at the 1979 Academy Awards, turned to Cary Grant and said: "This is our new man. He's taking over." But rather than limit himself to the heroic roles for which he seemed so well suited, Reeve frequently sought the challenge of parts that cast him against type--playing characters that were gay, sociopathic or villanous. He turned down big paychecks to appear in small films with directors like Sydney Lumet or James Ivory, whom he greatly respected and worked with in The Bostonians and The Remains of the Day. But he has always preferred the stage, considering it an actor's greatest test. In addition to his early stage work, Reeve appeared in The Marriage of Figaro in New York, Summer and Smoke with Christine Lahti in Los Angeles, and he toured with Love Letters in several major cities. He also starred in a well-received proction of The Aspern Papers in London's West End with Vanessa Redgrave and Dame Wendy Hiller. But no matter what he was doing at the time, Reeve invariably made every effort to spend summers at the Williamstown Theater Festival.
In addition to being an actor, Reeve is also an active celebrity political activist. Reeve, who is a liberal Democrat, explained his politically active career: "I became politically active in high school, protesting the Vietnam War. And when I went to Cornell, I became involved in environmental issues. And then, as an alt, I became involved in First Amendment issues and funding for the arts. And now that I am disabled, of course my main focus is on the quality of life for all disabled people and doing everything I can to help scientists make progress toward cures." Reeve further explained his personal political preference for the Democrat party saying, "Actually, the Republicans have done more for the disabled and for funding medical research over the past eight years than the Democrats. But on many other issues, such as the environment, ecation, gun control, choice, I support the Democrats, and I am more sympathetic to their position... I would like to see a Democratic Congress." As a celebrity political activist of liberal causes and fundraiser for medical research, Reeve has name recognition equal to that of Jane Fonda and Robert Redford. While viewing himself "President of the Disabled", unofficially replacing Bree Walker, Reeve is a lobbyist at the federal, state and international levels who physically lets his quadriplegia play on the feelings of elected politicans while testifying before them to get bills passed he supports to fund spinal cord injury research as well as to get bills defeated he personally opposes by also using the media. Reeve says about his aggressive approach to activism: "It is one thing to present legislators with statistics, but quite another to make them face real people who testify at congressional hearings or speak out in the media."
Prior to his injury, the liberal causes and charities Reeve had been involved with on the arts, environment, children, and human rights had equal priority for him with his career in the performing arts. A few of them are: Amnesty International, Save the Children, The National Resources Defense Council, The Lindbergh Foundation, The Environmental Air Force, and People for the American Way. He is a founding member and past president of the Creative Coalition, an advocacy group of artists, and has been one of the National Endowment For The Arts most passionate supporters. In 1987, he faced tear gas and real personal danger when Chilean writer Ariel Dorfman asked him to travel to Chile and lead a demonstration in support of 77 artists targeted with death warrants by the Pinochet government. For his successful efforts to free the artists, Reeve received a special Obie Award in 1988 and an annual award from the Walter Briehl Human Rights Foundation. The sobering experience also reinforced his commitment to advocacy work, which by the late 1980's was competing with his career for his time. Environmental issues have been of particular interest to Reeve. He addressed the United Nations to encourage the banning of drift net tuna fishing and he played a crucial role in securing a landmark agreement to protect the Hudson River and New York City's reservoir system.
Christopher Reeve has always approached recreation with the same dedication and intensity that he brought to his professional and advocacy work. In these activities as well as the rest of his life, Reeve sets obstacles for himself and then works to overcome them. He believes that progress in one's life comes from setting your own challenges and then doing the best you possibly can to succeed. An accomplished pianist, he composed and practiced classical music several hours each day and said in an interview that had he not been an actor, he would have liked to have been a professional musician. But Reeve was also a superb athlete who did his own stunts in films and an avid outdoorsman. He earned his pilot's license in his early twenties and twice flew solo across the Atlantic in a small plane. He also flew gliders and was an expert sailor, scuba diver, and skier. By the 1990's, horses had become his passion. He loved the sport called "eventing" which combined the precision of dressage with the excitement of cross-country and show jumping.
In May of 1995, it was ring the cross-country portion of such an event in Culpeper, Virginia, that Reeve's Throughbred, Eastern Express, balked at a rail jump, pitching his rider forward. Reeve's hands were tangled in the horse's bridle and he landed head first, fracturing the uppermost vertebrae in his spine. Reeve was instantly paralyzed from the neck down and unable to breathe. Prompt medical attention saved his life and delicate surgery stabilized the shattered C1-C2 vertebrae and literally reattached Reeve's head to his spine.
After 6 months at Kessler Rehabilitation Institute in New Jersey, Reeve returned to his home in Bedford, New York, where Dana had begun major renovations to accomodate his needs and those of his electric wheelchair which he operates by sipping or puffing on a straw. Ironically, this most self-reliant and active of men was now facing life almost completely immobilized and dependent on others for his most basic needs. In addition, his condition puts him at constant risk for related illnesses--pneumonia, infections, blood clots, wounds that do not heal, and a dangerous condition involving blood pressure known as autonomic disreflexia--all of which Reeve would experience in the coming years.
Even while at Kessler, Christopher Reeve began to use the international interest in his situation to increase public awareness about spinal cord injury and to raise money for research into a cure. A 20/20 interview with Barbara Walters drew huge ratings and many other television appearances would follow. Never a man to turn from a challenge, Reeve accepted invitations to appear at the Academy Awards in 1996, to host the Paralympics in Atlanta, and to speak at the Democratic Convention in August of that year. At such high-profile appearances Reeve faces risk of embarrassment if he cannot speak because his tracheostomy tube is slightly out of position or if his body suddenly spasms and jerks about uncontrollably (as it did just before the curtain went up at the Oscars).
Despite enormous expenses related to his paralysis, Reeve is determined to be financially self-sufficient. A widespread rumor that his close friend, Robin Williams, had promised to pay all his medical bills was publicly denied by both Williams and Reeve. Less than a year after his injury, Reeve began to accept invitations for speaking engagements. Traveling with a team of aides and nurses he has crisscrossed the country, speaking at the Peter Lowe Success Seminars, at universities, benefits, and at many functions relating to disability issues. About how he does his speeches, Reeve's publicist Maggie Friedman, at the Christopher Reeve Paralysis Foundation, said: "He speaks off the cuff, using no notes or teleprompter and most of the time he does not even dictate his thoughts to an assistant." Reeve narrated an Emmy Award winning documentary for HBO called Without Pity: A Film About Abilities which sensitively told the stories of a half-dozen disabled people and also hosted a Canadian documentary about spinal cord injury called The Toughest Break. He returned to acting with a small but pivotol role in the CBS TV-movie A Step Toward Tomorrow in 1996, and that same year Reeve made his directorial debut with the critically acclaimed HBO film In the Gloaming starring his good friend Glenn Close. Gloaming went on to receive 5 Emmy nominations and was the most honored film at the Cable ACE Awards in 1997, winning awards in 4 of the 6 categories it was nominated including best "Dramatic or Theatrical Special". Dana Reeve describes In the Gloaming as "a godsend for Chris." She adds, "there's such a difference in his outlook, his health, his overall sense of well-being when he's working at what he loves, which is creative work - directing a movie, or acting in one. It completely revitalizes him and feeds him." At these times "his health is at an all-time high, his blood gases are good, he seems to cure skin wounds faster, he sleeps better, he looks better. It's noticeable - it's like being in love."
Long before Reeve became handicapped and was thought by some to be an inspiration and really Superman, Reeve himself in 1978 told Gene Siskel that Superman leads by inspiration: "The key word for me on him is 'inspiration.' He is a leader by inspiration. He sets an example. It's quite important that people realize that I don't see him as a glad-handing show-off, a one-man vigilante force who rights every wrong. Basically, he's a pacifist, a man who comes along and says, 'What can I do to help?' He stands on the sidelines until there is real trouble. He does not want to get involved unless it's absolutely necessary because he thinks people should learn to make their own decisions." Bishop Jonathan D. Keaton eloquently explained in his Go Make A Life sermon Reeve being Superman in real life. Bishop Keaton said: "To see Reeve in a severely incapacitated state brought back memories of his famous acting roles as Superman and Clark Kent. Memory told me that Reeve could leap tall buildings with a single bound as Superman. Also, I saw Christopher Reeve as a gem of an investigative reporter...Admittedly, Superman was make-believe...I concluded that Christopher Reeve is Superman, right here, right now...Reeve shows us the power, the possibilities and the results of a fierce and persistent commitment to growth and development. With God's help, Reeve is Superman because: 1. He survived the horse riding accident and challenged himself physically ring countless months of painful physical therapy. 2. Because he remained committed to his role as a loving husband and doting father 3. Because he kept hope alive in the face of injury and paralysis that can destroy all hope-in the face of having to depend on his wife and many others to feed, wash, change, move and carry him t
参考资料：http://spysurfing.com/index.php?q=uggc%3A%2F%2Fjjj.puevferrirubzrcntr.pbz%2Fovbtencul.ugzy
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时间：2023-10-24 11:28
热心网友
时间：2023-10-24 11:27
September 25, 1952 - October 10, 2004
Christopher Reeve was born September 25, 1952, in New York City. When he was four, his parents (journalist Barbara Johnson and writer/professor Franklin Reeve) divorced. His mother moved with sons Christopher and Benjamin to Princeton, New Jersey, and married an investment banker a few years later. After the divorce, the boys also spent substantial visitation time with their father, who writing under the name F. D. Reeve, is a noted novelist, poet, and scholar of Russian literature. While with him, Chris and Ben were exposed to a stimulating intellectual environment that included Sunday dinners with F. D. Reeve's friends: Robert Frost, Robert Penn Warren, and Daniel Patrick Moynihan. Meanwhile, Reeve's stepfather, Tristam Johnson, generously paid tuition for the boys to attend an exclusive private school, Princeton Day School, for the academic challenge.
Reeve traces his love of acting back to the early years of his childhood when he and his younger brother would climb inside cardboard grocery cartons and pretend they were pirate ships. "To us they became pirate ships simply because we said they were." Reeve continues with "The ability to retain at least some of this childhood innocence is essential to fine acting." By age eight, he had appeared in school plays, become interested in music, and was taking piano lessons. At age nine, he was picked to be in a Gilbert & Sullivan operetta Yeoman of the Guard for Princeton's professional theater, the McCarter Theatre. "While I was growing up," Reeve recalls, "I never once asked myself, 'Who am I?' or 'What am I doing?' Right from the beginning, the theater was like home to me. It seemed to be what I did best. I never doubted that I belonged in it." Those he worked with were convinced as well. Milton Lyon, the Artistic Director of the McCarter Theatre who did Finian's Rainbow and South Pacific with Reeve, told him when he was about 14 years old: "Chris, you better decide what you want, because you're going to get it."
At Princeton Day School, Reeve participated in various school activities including being President of the Drama Club and the Student Director of The Glee Club. Reeve later said about those years, "I loved the theater so much. But I began to feel guility. I thought I wasn't giving enough time to school. So I joined as many school clubs and teams as I could. I played on the ice hockey team. I was in the school orchestra. I even sang with a choral group!" Reeve recently explained why he did not go into ice hockey, a sport he has great love for that he played from the peewee level through high school where he was Princeton Day's number one goalie for all four years, as a full-time career by remembering a time when his varsity team was the NCAA champion and Ken Dryden was the goalie. Reeve says about his decision, "On the first day of practice for the freshman team, I noticed that there were only two Americans and the rest were Canadians. I was in the goal, and the whole team lined up on the blue line, each with a puck, and they were supposed to take turns going from left to right taking a slapshot. They started to get out of sequence, and sometimes two or three were coming at me, faster than I'd ever seen a puck come at me in my entire lifetime. I got absolutely shelled, and I thought, 'You know, I'm probably going to end up with no teeth,' and so I retreated to the safety of the theatre department. That was the end of my hockey career. In retrospect, I made the right choice. And I still have all my teeth." He continued getting parts at school and at the McCarter. At age 15, Reeve got a summer apprenticeship at the Williamstown Theater Festival in Massachusetts. By age 16, he had an agent.
After graating high school, Reeve toured the country as Celeste Holm's leading man in The Irregular Verb to Love, then went on to pursue a college ecation, although he continued to work simultaneously as a professional actor, "thanks to an understanding agent who'd set up auditions and meetings around my class schele." As part of his studies at Cornell University, where he majored in Music Theory and English, he spent time studying theater in Britain and France. Of his work in England, where he obtained employment as a "dogsbody" at London's prestigious Old Vic theater, Reeve said: "I was a glorified errand boy, but it was a very exciting time there. I helped by teaching the British actors to speak with an American accent. Then I went to Paris to work with the Comedie Francaise." By the time of his graation from college, Reeve had already performed in such widely respected theaters as the Boothbay (Maine) Playhouse, the Williamstown Theatre, the San Diego Shakespeare Festival, and the Loeb Drama Center. His roles included Victor in Private Lives, Aeneas in Troilus and Cressida, Beliaev in A Month In The Country, and Macheath in Threepenny Opera.
In lieu of his final year at Cornell, Reeve was one of two students accepted to advanced standing (Robin Williams was the other) at New York's famous Juilliard School of Performing Arts. Here he studied under the renowned John Houseman. When it became financially difficult for his stepfather to continue to pay for Reeve's ecation, he took the role of Ben Harper in the long-running television dramatic serial Love of Life. While Reeve continued his acting lessons and performed in the soap opera, he found time to audition for and win a coveted role in A Matter of Gravity, a new play slated for Broadway starring Katharine Hepburn in 1976. By this time, the demands of his career had become so great that Reeve was forced to give up his final year at Juilliard, but Reeve said this of working with Hepburn: "In Gravity, I had the privilege of spending nine months working with one of the masters of the craft."
In 1976, Reeve went to Los Angeles and got a small part in Gray Lady Down, a submarine adventure film. Back in New York City, he was in the off-broadway proction My Life. During that proction, Reeve auditioned and successfully screen tested for the 1978 movie Superman. Reeve portrayed Superman as "somebody that, you know, you can invite home for dinner...someone you could introce your parents to." He made Superman believable by playing him as a hero with brains and a heart. Reeve said, "What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely. From an acting point of view, that's how I approached the part." For playing Clark Kent, Reeve reasoned that "there must be some difference stylistically between Clark and Superman. Otherwise you just have a pair of glasses standing in for a character, and I don't think that's enough for a modern audience." When people regard him as Superman, Reeve always downplays the disdain he feels for that comment: "As far as I'm concerned there is Superman and then there's Christopher Reeve, and I'm not interested in having them merge. What I'm interested in is acting...I've been working since I was fourteen; I studied at Juilliard. I wasn't Superman before and I don't plan to be Superman after." The 18 months of shooting for that movie took place mostly in England, where Reeve met and began a relationship with modeling executive Gae Exton. This union proced two children, Matthew and Alexandra.
After the success of 1978's Superman, Reeve did the movie Somewhere in Time. While promoting the movie at the time of its release, Reeve said, "Somewhere In Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character...His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love." In 1980, he spent the summer doing theater in Williamstown. He worked on Superman II and the broadway proction of Fifth of July. In 1987 Christopher Reeve and Gae Exton parted unmarried, but keeping joint custody of the two children. During the summer in Williamstown, Reeve met Dana Morosini where she was performing in a cabaret. In four months they were living together, and in 1992 they were married and had a son.
Reeve went on to appear in a total of 17 feature films, a dozen TV-movies, and about 150 plays. In addition, he has hosted or narrated numerous documentaries and TV specials, many of which involve interests of his such as aviation or stunt work. His striking good looks and imposing physique were reminisent of Hollywood's classic leading men like John Wayne who, after meeting Reeve at the 1979 Academy Awards, turned to Cary Grant and said: "This is our new man. He's taking over." But rather than limit himself to the heroic roles for which he seemed so well suited, Reeve frequently sought the challenge of parts that cast him against type--playing characters that were gay, sociopathic or villanous. He turned down big paychecks to appear in small films with directors like Sydney Lumet or James Ivory, whom he greatly respected and worked with in The Bostonians and The Remains of the Day. But he has always preferred the stage, considering it an actor's greatest test. In addition to his early stage work, Reeve appeared in The Marriage of Figaro in New York, Summer and Smoke with Christine Lahti in Los Angeles, and he toured with Love Letters in several major cities. He also starred in a well-received proction of The Aspern Papers in London's West End with Vanessa Redgrave and Dame Wendy Hiller. But no matter what he was doing at the time, Reeve invariably made every effort to spend summers at the Williamstown Theater Festival.
In addition to being an actor, Reeve is also an active celebrity political activist. Reeve, who is a liberal Democrat, explained his politically active career: "I became politically active in high school, protesting the Vietnam War. And when I went to Cornell, I became involved in environmental issues. And then, as an alt, I became involved in First Amendment issues and funding for the arts. And now that I am disabled, of course my main focus is on the quality of life for all disabled people and doing everything I can to help scientists make progress toward cures." Reeve further explained his personal political preference for the Democrat party saying, "Actually, the Republicans have done more for the disabled and for funding medical research over the past eight years than the Democrats. But on many other issues, such as the environment, ecation, gun control, choice, I support the Democrats, and I am more sympathetic to their position... I would like to see a Democratic Congress." As a celebrity political activist of liberal causes and fundraiser for medical research, Reeve has name recognition equal to that of Jane Fonda and Robert Redford. While viewing himself "President of the Disabled", unofficially replacing Bree Walker, Reeve is a lobbyist at the federal, state and international levels who physically lets his quadriplegia play on the feelings of elected politicans while testifying before them to get bills passed he supports to fund spinal cord injury research as well as to get bills defeated he personally opposes by also using the media. Reeve says about his aggressive approach to activism: "It is one thing to present legislators with statistics, but quite another to make them face real people who testify at congressional hearings or speak out in the media."
Prior to his injury, the liberal causes and charities Reeve had been involved with on the arts, environment, children, and human rights had equal priority for him with his career in the performing arts. A few of them are: Amnesty International, Save the Children, The National Resources Defense Council, The Lindbergh Foundation, The Environmental Air Force, and People for the American Way. He is a founding member and past president of the Creative Coalition, an advocacy group of artists, and has been one of the National Endowment For The Arts most passionate supporters. In 1987, he faced tear gas and real personal danger when Chilean writer Ariel Dorfman asked him to travel to Chile and lead a demonstration in support of 77 artists targeted with death warrants by the Pinochet government. For his successful efforts to free the artists, Reeve received a special Obie Award in 1988 and an annual award from the Walter Briehl Human Rights Foundation. The sobering experience also reinforced his commitment to advocacy work, which by the late 1980's was competing with his career for his time. Environmental issues have been of particular interest to Reeve. He addressed the United Nations to encourage the banning of drift net tuna fishing and he played a crucial role in securing a landmark agreement to protect the Hudson River and New York City's reservoir system.
Christopher Reeve has always approached recreation with the same dedication and intensity that he brought to his professional and advocacy work. In these activities as well as the rest of his life, Reeve sets obstacles for himself and then works to overcome them. He believes that progress in one's life comes from setting your own challenges and then doing the best you possibly can to succeed. An accomplished pianist, he composed and practiced classical music several hours each day and said in an interview that had he not been an actor, he would have liked to have been a professional musician. But Reeve was also a superb athlete who did his own stunts in films and an avid outdoorsman. He earned his pilot's license in his early twenties and twice flew solo across the Atlantic in a small plane. He also flew gliders and was an expert sailor, scuba diver, and skier. By the 1990's, horses had become his passion. He loved the sport called "eventing" which combined the precision of dressage with the excitement of cross-country and show jumping.
In May of 1995, it was ring the cross-country portion of such an event in Culpeper, Virginia, that Reeve's Throughbred, Eastern Express, balked at a rail jump, pitching his rider forward. Reeve's hands were tangled in the horse's bridle and he landed head first, fracturing the uppermost vertebrae in his spine. Reeve was instantly paralyzed from the neck down and unable to breathe. Prompt medical attention saved his life and delicate surgery stabilized the shattered C1-C2 vertebrae and literally reattached Reeve's head to his spine.
After 6 months at Kessler Rehabilitation Institute in New Jersey, Reeve returned to his home in Bedford, New York, where Dana had begun major renovations to accomodate his needs and those of his electric wheelchair which he operates by sipping or puffing on a straw. Ironically, this most self-reliant and active of men was now facing life almost completely immobilized and dependent on others for his most basic needs. In addition, his condition puts him at constant risk for related illnesses--pneumonia, infections, blood clots, wounds that do not heal, and a dangerous condition involving blood pressure known as autonomic disreflexia--all of which Reeve would experience in the coming years.
Even while at Kessler, Christopher Reeve began to use the international interest in his situation to increase public awareness about spinal cord injury and to raise money for research into a cure. A 20/20 interview with Barbara Walters drew huge ratings and many other television appearances would follow. Never a man to turn from a challenge, Reeve accepted invitations to appear at the Academy Awards in 1996, to host the Paralympics in Atlanta, and to speak at the Democratic Convention in August of that year. At such high-profile appearances Reeve faces risk of embarrassment if he cannot speak because his tracheostomy tube is slightly out of position or if his body suddenly spasms and jerks about uncontrollably (as it did just before the curtain went up at the Oscars).
Despite enormous expenses related to his paralysis, Reeve is determined to be financially self-sufficient. A widespread rumor that his close friend, Robin Williams, had promised to pay all his medical bills was publicly denied by both Williams and Reeve. Less than a year after his injury, Reeve began to accept invitations for speaking engagements. Traveling with a team of aides and nurses he has crisscrossed the country, speaking at the Peter Lowe Success Seminars, at universities, benefits, and at many functions relating to disability issues. About how he does his speeches, Reeve's publicist Maggie Friedman, at the Christopher Reeve Paralysis Foundation, said: "He speaks off the cuff, using no notes or teleprompter and most of the time he does not even dictate his thoughts to an assistant." Reeve narrated an Emmy Award winning documentary for HBO called Without Pity: A Film About Abilities which sensitively told the stories of a half-dozen disabled people and also hosted a Canadian documentary about spinal cord injury called The Toughest Break. He returned to acting with a small but pivotol role in the CBS TV-movie A Step Toward Tomorrow in 1996, and that same year Reeve made his directorial debut with the critically acclaimed HBO film In the Gloaming starring his good friend Glenn Close. Gloaming went on to receive 5 Emmy nominations and was the most honored film at the Cable ACE Awards in 1997, winning awards in 4 of the 6 categories it was nominated including best "Dramatic or Theatrical Special". Dana Reeve describes In the Gloaming as "a godsend for Chris." She adds, "there's such a difference in his outlook, his health, his overall sense of well-being when he's working at what he loves, which is creative work - directing a movie, or acting in one. It completely revitalizes him and feeds him." At these times "his health is at an all-time high, his blood gases are good, he seems to cure skin wounds faster, he sleeps better, he looks better. It's noticeable - it's like being in love."
Long before Reeve became handicapped and was thought by some to be an inspiration and really Superman, Reeve himself in 1978 told Gene Siskel that Superman leads by inspiration: "The key word for me on him is 'inspiration.' He is a leader by inspiration. He sets an example. It's quite important that people realize that I don't see him as a glad-handing show-off, a one-man vigilante force who rights every wrong. Basically, he's a pacifist, a man who comes along and says, 'What can I do to help?' He stands on the sidelines until there is real trouble. He does not want to get involved unless it's absolutely necessary because he thinks people should learn to make their own decisions." Bishop Jonathan D. Keaton eloquently explained in his Go Make A Life sermon Reeve being Superman in real life. Bishop Keaton said: "To see Reeve in a severely incapacitated state brought back memories of his famous acting roles as Superman and Clark Kent. Memory told me that Reeve could leap tall buildings with a single bound as Superman. Also, I saw Christopher Reeve as a gem of an investigative reporter...Admittedly, Superman was make-believe...I concluded that Christopher Reeve is Superman, right here, right now...Reeve shows us the power, the possibilities and the results of a fierce and persistent commitment to growth and development. With God's help, Reeve is Superman because: 1. He survived the horse riding accident and challenged himself physically ring countless months of painful physical therapy. 2. Because he remained committed to his role as a loving husband and doting father 3. Because he kept hope alive in the face of injury and paralysis that can destroy all hope-in the face of having to depend on his wife and many others to feed, wash, change, move and carry him t
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时间：2023-10-24 11:28
